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Mishmi

With a textile heritage as rich as Arunachal Pradesh, weaving is the primary occupation amongst the diverse tribes in the state. Mishmi is a hand-woven textile made by the Idu Mishmi, a sub-tribe under the Mishmi tribe, one of the most populous communities in the state. It features an elaborate design with geometric patterns like diamonds, grids, and airplanes, usually available in contrasting colours like red, black, and blue. Cotton and wool are the most commonly used fabrics for weaving the Mishmi textile. This textile is primarily used for skirts, shirts, shawls, purses, bags, headbands, earrings, cushion covers, kids’ products, and coats.

Tracing Origin

While the exact origin of the textile has yet to be determined, the earliest records date back to 1959, in an official document written by Verrier Elvin, an advisor for tribal affairs in the North-Eastern Frontier Agency (NEFA). In this document, he described the elaborate patterns woven by the Mishmis and the weaving process followed by the tribe. Further, he explained the individualism of the tribe, who weaved detailed designs that suggested certain social and religious concepts.

 

 

A folk tale told by the tribe called ‘Hambrumai’ speaks about the origin of weaving according to their ancestors. In this story, a fish named Hambru is caught in a trap laid by Kowonsa, a local fisherman. Hambru’s appearance delights him, and he decides to hide her in a gourd. The next day, when he returns from a routine fishing expedition, the next day, he’s met with an overflow of extraordinary fabric with a fish-scale pattern. This continued every day until Kowonsa decided to stay at home one day. Hiding in the corner of his hut, he was left astonished as Hambru got out of the gourd and transformed into a beautiful girl. She carried a loom and used it to weave the fabric that Kowonsa’s hut overflowed with each day. 

Unbeknownst to him, Humbru was the target of an evil witch’s curse that could only be broken if someone else saw her in her proper form as a girl. When Kowonsa appeared from his hiding spot, the curse broke, and they married each other. After their marriage, Hambru began teaching the village women how to weave. One day, Kowonsa’s carelessness led to Hambru’s loom breaking because of the harsh wind as he had left it out in the courtyard. The legend that follows this particular part of the story says that wherever broken pieces of the loom ended, the people there learned how to weave cloth. This unwittingly spread the word of this craft all around the country and even the world.

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How It’s Done

Like other communities that weave, the process starts from scratch – the yarn is extracted from the stem of a nettle plant, called ‘malu,’ which is grown in the wild. The dried yarn is shaped into a ball and soaked in hot water. After a while, soda ash is added to the mixture and thoroughly stirred.

 Plant-based dyes are added at this stage if the yarn needs to be dyed a different colour like green, red, or black. Around 15-20 minutes later, the yarn is removed from the mixture and washed with plain water. Once thoroughly dried, it is used in looms and ready to weave. 

Design Elements

Weaving the Mishmi textile is an elaborate process due to the complexity of the motifs. Technically, the base designs are simple since they consist of straight lines, stripes, and bands. However, the true nature of this textile is attained by the varying sizes, colours, and positions of these designs, making it essential for weavers to get everything exactly right. These different sized lines, stripes, and bands create unique geometric patterns for which the state is infamous. Aside from these designs, diamonds are also commonly seen on this textile and are made, paying the utmost attention to detail. For instance, designs featuring diamonds inside diamonds, plain and embellished diamonds – this shape is put across in various combinations.

Mishmi Textile Today

The craft of weaving Mishmi textiles is a tradition that has continued for generations in the community, leaving these skills to form an essential part of their economy. This has also gained designers' interest outside India and motivated them to use this textile to create new, innovative garments and items.

 

Practiced irrespective of the weaver’s sex, it signifies a unique feature of Arunachal Pradesh as a state. However, over the years, there has been an exponential decline in the number of weavers, and this issue has become a topic of concern. Due to this, the craft is only practised in the interior parts of the Dibang Valley. To uplift the craft, the textile was tagged with the Geographical Indication (GI) status in 2019, preserving its identity. This legal tag has proven helpful since the craft began to pick up its pace soon after. Several adaptations were made to keep the textile up with trends. Yarns of different colours have been made available under various reputed brands and woolen and glittering threads being used for the weaving process.

 

The Mishmi people, an indigenous community of Arunachal Pradesh in India, are known for their traditional silk production, with Apatani and Pat silk being two of their most famous varieties.

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