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Buatsaihna
The wedding reception in Mizoram, known as Buatsaihna, is an event that combines the joy of the wedding with a sense of communal pride. It is a moment where the newlyweds are introduced to the extended family and community as a married couple. The event is not just a celebration of their union but also an affirmation of the couple's place within the larger social fabric. The reception begins with the arrival of the bride and groom, a spectacle that is both grand and deeply symbolic. As they enter the venue, they are greeted with traditional Mizo songs and dances, known as Cheraw and Solakia. The rhythmic clapping of bamboo sticks during the Cheraw dance and the graceful movements of the dancers create an atmosphere of joy and anticipation. Following the entrance, the elders from both families bless the couple, offering them guidance and wisdom for their married life. This is often accompanied by the exchange of Zawlbuk, a Mizo custom where the groom's family presents gifts to the bride's family as a token of respect and goodwill. The reception then unfolds into a feast where traditional Mizo dishes, like Bai and Vawksa Rep, are served, representing the abundance and prosperity wished for the couple.
Cultural Significance
Think of the Mizo wedding reception as a public acknowledgement of the marriage, where the couple is formally introduced as husband and wife to their extended kin and community members. This introduction is not merely ceremonial but is deeply rooted in the Mizo belief that marriage is a union not just between two individuals but between two families.
The concept of community is central to Mizo life, and the wedding reception is a reflection of this. The entire community often participates in the preparations, from decorating the venue to cooking the feast. This collective effort underscores the communal spirit that is intrinsic to Mizo society.
Fashioning Tradition
Traditionally, the bride wears a Puan, a handwoven wrap-around skirt that is a hallmark of Mizo identity. The Puan is adorned with intricate patterns that often include symbolic motifs, such as the star or the flower, which represent purity and beauty. The most cherished Puan for weddings is the Puanchei, known for its vibrant colours and detailed embroidery. Paired with a matching blouse, the Puanchei transforms the bride into a vision of elegance.
In recent years, brides have started to incorporate contemporary elements into their attire, such as designer blouses or modern accessories, while still retaining the traditional essence of the Puan. Some may even opt for a fusion of a Puan with a modern gown, blending the old and the new in a way that reflects their style.
The groom’s attire is equally significant. Traditionally, the groom wears a Pawndum, a long cloth wrapped around the waist, paired with a white shirt. The Pawndum is a symbol of honour and dignity, often passed down through generations, carrying with it the legacy of the family. Over time, grooms have also embraced more modern attire, such as suits or traditional Pawndum with a contemporary twist, combining the essence of Mizo culture with a more modern look.
Jewellery & Accessories
For the bride, traditional jewellery often includes necklaces made of beads and silver. Another essential accessory for the bride is the Sung Bur, a headpiece adorned with silver coins that symbolise wealth and status. The Sung Bur is usually worn during the reception, adding a touch of regality to the bride’s appearance.
The groom may wear a Hnam Tlang, a traditional shawl that signifies his clan or family heritage, draped over his shoulder as a mark of pride.
Image Credits
Mizoramjourney