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Maharashtrian wedding ceremonies are rooted in Vedic tradition, so religion and family play an important role in them. There are a series of pre-wedding rituals before the actual wedding day. During Lagnaach Bedior, a family priest matches the couple’s kundalis or horoscopes to assess their compatibility. Following his approval, an auspicious wedding date and time is set. An engagement ceremony is held called Sakhar Puda. Here, the families exchange sugar packets and gifts of coins, sarees, and jewellery to accept the marriage officially and then, the couple exchange rings in an Engagement ceremony. In the days leading up to the wedding, the bride’s family hosts the Muhurt Karane ceremony. In this heartfelt ceremony, five married women help the bride and her mother with wedding preparations. It is a beautiful moment as the community comes together to make turmeric powder, which will be used during the Halad Chadavane ceremony. This ceremony is similar to the North Indian Haldi ritual where turmeric paste is applied to the bride and groom for good luck. During the Chura ceremony, the bride is given a set of ‘Hirva’ or green glass bangles from her family and a set of ‘Patalya’ or gold bangles from her in-laws. These bangles represent health, fertility, and fortune, and the bride wears them on her wedding day. Since religion is deeply intertwined in the wedding customs, both families pray to their Kuldevta or family deity in a Kelvan pooja. Lord Ganesh is highly revered in Maharashtra, and most weddings begin by praying to him for good luck. The Ganpati Puja is followed by the Devdevak and Gaurihar Pooja. In the Devdevak Pooja, the priest invites the Kuldevta to bless the mandap, while the bride prays to Goddess Parvati for prosperity during the Gaurihar Pooja. The bride’s maternal uncle gives her some rice to offer to the goddess. During the Punyavachan ritual, the bride’s parents escort her to the wedding venue and ask the guests to bless them. Then, the groom arrives at the venue and is received by the bride’s mother, who washes his feet, puts tilak on his forehead, and performs Aarti in a custom called Seemanpuja. The groom enters the mandap, and a curtain known as Antarpat separates him and the bride’s seat. The priest then puts the Mundavalya, a holy ornament tied to the forehead, on the groom. The bride enters the mandap during Sankalp as the priest chants Mangalashtakas or sacred prayers. At the right Muhurt, the antarpat is removed. This is a particularly beautiful moment as the couple see each other for the first time on their wedding day. They exchange jaimalas or flower garlands as their family and friends shower them with akshata or rice for good luck. The father of the bride performs the Kanyadaan, an emotional custom in which he gives his daughter to the groom with his blessings. In return, the groom agrees to love and take care of her wholeheartedly. For the final marriage rituals, the priest lights the sacred fire during Lajahoma while chanting sacred Vedic scriptures. The couple offers grains and rice to the fire and chants three mantras as dictated by the priest. After that, the bride’s parents worship the couple as incarnations of Vishnu and Laxmi, and the couple tie a thread dipped in turmeric to each other’s hands. The groom ties the mangalsutra around the bride's neck and applies Sindoor (vermillion) on her forehead. This is followed by Saptapadi, where the couple walks around the holy fire seven times. Each circle represents a sacred wedding vow that the couple makes to each other. The mandap rituals conclude with Karmasamapti, where the couple prays to Goddess Laxmi until the fire is extinguished. In some communities, the groom gives the bride a new name. The bride's brother twists the groom’s ear teasingly to remind him to take care of his sister. After all the rituals are over, the bride and groom leave the wedding venue in the Varat or Bidai ceremony. This is an emotional moment for her and her family. While the bride says her goodbyes, the groom carries the Parvati idol from Gaurihar Puja. When they reach the groom’s home, they are received by the groom’s mother. She performs the Grihapravesh Aarti and washes the couple’s feet with milk and water. Then, the bride gently kicks over a Kalash — a small vessel filled with rice for good luck — and the couple enters their home right foot first. A few days after all rituals and ceremonies are over, the couple celebrates with a wedding reception, joined by family and friends, marking the end of their wedding festivities.
Maharashtrian wedding rituals are deeply rooted in Hindu traditions and spirituality. From selecting the most auspicious day for the wedding based on horoscopes to the Saptapadi ritual around the holy fire — every custom has deep meaning and symbolism.
According to Hinduism, marriage is more than just a relationship between two individuals. In fact, it transcends the couple and is about duty, family, and spiritual growth. The term ‘vivah’ comes from ancient Vedic texts and refers to a sacred bond between two souls as ordained by cosmic laws. The institution of marriage is viewed as one of life’s major events and is a lifelong commitment of mutual respect and devotion.
The divine is incorporated into the various customs throughout the ceremony. The couple and their families pray to their Kuldevta or family deity for their blessings as well as Goddess Lakshmi and Lord Ganesh since they represent fortune and prosperity.
The primary witness to the marriage vows is a sacred fire, Agni, which stands for purity. The ceremony is typically conducted in Sanskrit, the language of holy ceremonies, as prescribed in ancient scriptures like the Gruhya sutra. As the couple recites the seven vows in the presence of divinity, they commit to mutual respect, joy, loyalty, knowledge, duty, dharma (righteousness), and enduring love and friendship. The newlyweds seek blessings from their elders, symbolising the importance of family and tradition in their marriage.
Many other key elements in Maharashtrian weddings carry meaning. The Mundavalyas on the bride and groom's foreheads symbolise their togetherness and mark their identity as a married couple. The bride wears green glass bangles for a happy and prosperous married life filled with positivity, fertility, and good fortune. In essence, Maharashtrian wedding rituals reflect the timeless values of love, respect, and familial bonds.
In traditional Maharashtrian weddings, the groom wears an off-white, cream, or beige cotton kurta paired with a white kanche or dhoti with a thin gold border. To add a touch of colour to this elegant ensemble, he may wear a red or gold stole around his shoulders. He can also wear a classic Maharashtrian Pheta, a turban made by wrapping with a long, cotton cloth around the head. Traditional colours include saffron, to symbolise valour and white to indicate peace. Some famous varieties include the Kolhapuri pheta, which comes in a bright colour with a Bandhani print, and the Puneri pheta which has checkered patterns with a distinct gold border.
The Maharashtrian bride is a picture of grace and beauty. She can wear a traditional six-yard Paithani or the nine-yard Navari saree. These silk sarees are luxurious and vibrant, often in red, yellow, orange, purple, and green colours with exquisite gold borders. Both Paithani and Navari sarees are known for their intricate look featuring peacock motifs, floral patterns, and geometric designs and draped in the typical Marathi dhoti style. She often carries a shela, a silk shawl or a stole that complements the bridal saree. It is draped elegantly behind the back to highlight its embroidery and the saree's pallu. Contemporary brides may opt for a contrasting colour or experiment with fabrics like velvet, tulle, or georgette.
The history of Paithani sarees dates back to the 2nd century in the Satvahana Dynasty, where it originated in the Paithan town in the Aurangabad district. It was initially woven with cotton and silk threads and pure gold wire. Nowadays, silk is the popular fabric choice embroidered with zari work. What sets a traditional Paithani saree apart is its bold colours, bold oblique square border design, and peacock motifs. Traditional dyes like Firozi (cyan), Motia (pale pink), Neeligunji (blue), Pophali (chrome yellow), Samprus (green-red), and Vangi (aubergine purple) are commonly used. Besides the peacock, other popular motifs are lotuses, swans, flowers, vines, coconuts, and even the Buddha.
Alternatively, brides may select a Navari saree, a beautiful nine-yard worn with an embroidered blouse and shela, or silk stole. Also known as Kaashta sarees, they are known for their unique draping style. The Navari drape is worn without an inner petticoat and tucked in the back, creating a pant-like fashion. This drape traces its origins back to the Maratha empire when women fought in wars and found the dhoti style to allow them greater freedom of movement. These regal sarees are adorned with charming florals, leaves, and peacock designs, complemented by a thick gold or silver border.
Jewellery is an important part of wedding ensembles. One of the most memorable ornaments in a Maharashtrian wedding is the Mundavalya, a delicate string of pearls worn on the forehead. Worn by the bride and the groom, it symbolises their togetherness and unbreakable bond. Some contemporary Mundavalyas are also made from jasmine flowers.
The Marathi bride is decked out in traditional gold jewellery that reflects the state’s rich history of craftsmanship. The Kohlapuri Saaj is central to the Maharashtrian bride's ensemble. It is a traditional gold necklace with twenty-one leaf-shaped pendants symbolising prosperity and divine blessings. Another quintessential piece is the Thushi, a choker necklace intricately crafted with gold beads. No bridal ensemble is complete without the Mangalsutra, a black and gold beaded necklace with a gold pendant that signifies marital status. Several iconic neckpieces include the Tanmani, Bormal, and Ranihar.
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