For best prices and early deliveries, WhatsApp us at. 918488070070
Kashmir is famous for unique hand embroideries that adorn its fantastic shawls and kaftans. Crewel embroidery is one such kind that may have originated in a faraway land, many years ago but, found its home in Kashmir. This kind of craftsmanship is extremely unique and requires hours of manual labour. The word “crewel” finds its origin in a Welsh word, meaning - wool. The speciality of this embroidery is its hefty look and feel, due to the use of woollen yarns. The Crewel wool has long staples and the two-ply yarns are stiff that can be easily twisted to make ornate patterns.
The art form is thousands of years old and so, its exact origin is hard to trace. However, evidence of its existence has been found in the Bayeux Tapestry, which is so old that it holds records of the Norman conquests (England) of 1066. Crewel art has been in existence roughly since the 11th century. The tapestry is as long as seventy meters and entirely hand embroidered, using crewel. But, apart from the Bayeux art, it is also believed to have been a favourite with Queen Elizabeth, who was a connoisseur of all types of embroideries in her era.
By now it is evident that the tale of crewel embroidery is a rather long one- but what’s interesting is, how it followed a pathway to reach the hills of Kashmir.
As the tale goes by, this craft was brought in by the traders of “Damascus”- a city in the centre of the “Silk Road”. This city was a junction between many routes, one of which lead to India. Amongst the trade of various arts and crafts from around the world, luckily the crewel embroidery landed in India. The craft was further patronaged by the Mughal rulers. As a result, it quickly became a popular and indigenous art form of Kashmir – used by both the European and Indian nobility.
Even though crewel embroidery is tedious and intricate, the steps involved in the making are basic. All you need to create this is a strong crewel needle, woollen threads, a firm base fabric and tracing paper. The process starts with the selection of a design. Locally known as, Zalakdozi in Kashmir, the traditional designs include the Tree of Life and Chinar leaf patterns that Kashmiri craftsmen swear by.
Once the design is finalized, it is drawn on a tracing paper by professional tracers called, Naquashbands. The design is then, printed on the base fabric, using ink. After the design is imprinted, the fabric is sent to the craftsmen, who start embroidering. In this embroidery, some of the conventional stitches used are stem, chain and padded satin stitches- made with a hook needle or, Aari.
Crewel yarns are stiff and can be firmly turned and twisted into shapes. Depending on the intricacy of the design, the embroidery can take up to several weeks to finish. In the Kashmiri craft community, it is said that a person requires sixteen years to master the craft. That’s why small children of the community are trained from the age of eight to ten years.
The art of crewel hand embroidery is centuries old. It has been associated with 17th century England, when it came to be known as “Jacobean embroidery” because of the application of designs from the Jacobean period. Embroidery was a part of the English aristocratic society, as sophisticated women made these on pillow covers, curtains and upholstery fabric.
Crewel art-form also became a part of the Arts & Crafts Movement of late 19th century Britain. This movement holds enough historic significance, as it is one of the oldest protests against industrialization and an effort to revive decorative craftsmanship.
The design aspect plays a vital role in crewel work embroidery, as it says a lot about its time of origin and all the places it has been to. Be it the historic tapestries of the 11th and 13th centuries, with legendary tales of the time embroidered on them or, the Jacobean designs. A classic Jacobean design, relevant to date, is “The Tree of Life”- Which is an ancient, divine mythological symbol of life and death; it is a part of many religions and civilizations around the globe.
Crewel embroidery and Sozni embroidery are traditional embroidery styles originating from the Kashmir region of India and are characterized by intricate designs, fine details, and the use of woolen threads or silk threads respectively
It is only natural that an art form as ancient is bound to changes and modifications, throughout its course of existence. In the bygone era, Kashmiri crewel embroidery was limited to the upper classes and women of the highest classes used to make these to décor their lavish homes. Besides that, embroidery was used in noble causes, like making tapestries or used in temples and churches. But with its gradual growth in India, Kashmiri traders found a huge market for other items like shawls, Namda or felt carpets, curtains and décor items.
The modern market is open to handmade articles that are highly valued. Presently, Kashmir is one of the highest producers and sustainers of the art. The designs made here are a reflection of Kashmiri culture, like the Chinar leaf, Badamadar(- a motif in the shape of an ancient 18th-century almond) and the classic Kalka(- a teardrop-shaped motif with a twisted head). English designs are used, depending on demand. It is safe to conclude that the art form has survived through the ages and still remains a heritage craft. There are limited online websites, which sell crewel embroidery items.
Crewel, a type of embroidery that uses wool to create intricate designs, is commonly found in traditional Indian textiles such as Lambani and Sozni, known for their vibrant colors and elaborate patterns.
Frontline | Tarasha | Wikipedia | Tarasha | Well and Dye | Layer | Angela Jey | Houzz | Guftagu | Estyy | Guftagu