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An intergenerational transmission of culture, community, and agricultural traditions, the festival of Lohri is a vital reminder of the importance of diversity and the need to preserve unique cultural identities. Celebrated primarily in Punjab, Haryana, and Himachal Pradesh, Lohri resonates with the religious values and teachings of Hinduism and Sikhism, moulding it into a celebration of community and divine gratitude. Let’s explore Lohri through a lens of its origin and history, cultural and religious significance, traditional attire and jewellery, and the artistic decor that gives the festival its identity.
The earliest origins and history of Lohri are deeply rooted in ancient agricultural traditions. It marks the end of the winter solstice and the beginning of longer summer days, symbolising the return of warmth and the harvesting of the Rabi crops, mainly sugar cane and wheat. It is celebrated in January, closer to the festival of Makar Sankranti, which marks the sun's transit into the zodiac sign of Capricorn and is considered a highly auspicious period in Hinduism. It is the time to honour the Sun God, Lord Surya, who is believed to bless the world with the light, warmth, and energy necessary for the growth of crops. Lohri is known as the harvest festival of Punjab.
While Lohri is not stringently associated with religious activities, it carries a significant religious undertone in Hinduism as it is related to the practices of nature worship, particularly for worshipping fire or Agni as a secret element. It is considered purifying as a force. As they offer sesame seeds, jaggery, and other foods to the bonfire during Lohri, they thank the gods for a bountiful harvest. It holds a similar place in Sikhism for the agricultural communities of Punjab.
The legend of Dulla Bhatti, a Muslim Rajput who lived during the reign of the Mughal emperor Akbar, is celebrated as a folk hero during Lohri. He is revered for rescuing Hindu girls from being vehemently taken by the Mughals. The Sikh community celebrate Dulla Bhatti as a symbol of strength and righteousness during the festival's cultural customs.
Another popular legend associated with Lohri is the story of Holika, the sister of the Demon King Hiranyakashyap, and Prahlad, his son. While Hiranyakashyap considered himself invincible and demanded everyone worship him instead of the gods, his son Prahlad remained an ardent devotee to Lord Vishnu, resulting in a feud with his father. In an attempt to kill Prahlad, Hiranyakashyap ordered Holika to sit in a bonfire with Prahlad on her lap. It is believed that Holika had a boon that made her immune to fire. However, due to Prahlad's unwavering devotion towards Lord Vishnu, despite having the boon, Holika was burnt to ashes while Prahlad emerged unharmed. This legend represents the victory of good over evil, and Lohri's bonfire is seen as a symbol of the burning of Holika.
It is celebrated in the northern regions of India, particularly in Punjab, Haryana, and Himachal Pradesh and is a vibrant expression of the cultural identity of the states. It is deeply intertwined with the folk traditions and rituals of Punjab, and the celebrations are marked by the singing of traditional folk songs which narrate the legend of Dulla Bhatti and are accompanied by the beats of the dhol. At the same time, people perform traditional dances like Bhangra and Giddha around the bonfire. The festival brings people together and fosters a strong sense of belonging and community. It serves as a reminder of the values of mutual support, collective joy, and cooperation and helps people maintain the social value and idea of living and harmony.
The bonfire is the core practice of Lohri, as celebrated in Punjab, Haryana, Himachal Pradesh, and other parts of India. Once the evening sets, people gather around the bonfire and ceremonially circle it, offering holy items such as til (sesame seeds), gur (jaggery), popcorn, and peanuts in the flames as they sing traditional songs. The bonfire is enormous in Punjab as the entire community gathers around it. In Haryana, there is a stronger emphasis on community bonding as people go from house to house in the neighbourhood and collect items for the bonfire, which is then lit in the community space.
Bhangra and Giddha are integral dance forms which give identity to the festival of Lohri. While men typically perform Bhangra, a vigorous dance, Giddha is usually performed by women. It is a graceful dance performance that expresses a range of emotions, from joy to teasing.
The feast for Lohri in Punjab is often elaborate and focuses on sharing food with family, friends and neighbours. Makke di roti, sarson ka saag and gajak are some of the traditional delicacies that are enjoyed during the festival of Lohri. In Haryana and Himachal Pradesh, the emphasis of food is on the essence of traditional recipes passed down through generations and the shared emotion of eating with family and community members.
In Punjab, the first Lohri of a newlywed couple or a newborn is considered a grand affair as the festival is associated with new beginnings. It is also seen as a time for charity and giving back to the community as families distribute food and sweets to the less fortunate. Lohri, like many other vibrant festivals celebrated across India, reflects the rich cultural heritage and traditions that unite communities in joy and togetherness.
The traditional attire worn by men and women as they celebrate Lohri has deep symbolic meaning as it reflects the history, culture, and agricultural lifestyle of the northern region of India.
Women are usually seen wearing a salwar kameez. Punjabi women have worn this versatile set for generations and find its origins in the need for practical yet modest clothing, which lets women work comfortably in the fields while maintaining cultural decorum. While women wear cotton salwar kameez during the daytime, for the bonfire of Lohri at night, they opt for silk sets, often featuring elaborate embroidery. They pair the salwar with a Phulkari dupatta, which they drape around their shoulders and heads. Phulkari is an ancient art form that means ‘flower work’ and has been passed down through generations in Punjab. It serves as an opportunity for women to display their cultural heritage and the region's artistic skills during Lohri. Married women usually wear red colours that symbolise energy, vitality, and fertility as they gather for the celebrations. Younger girls are seen wearing yellow and orange as they are associated with the sun and fire and are central to the festival’s significance of light, warmth, and the end of the colder, gloomy months. They add accents of gold to enhance the richness of the festive attire. Traditional motifs like kairi, peacocks, leaves, and wines are used in the designs for the kameez as they are inspired by nature and the rustic environment.
Men are usually seen wearing a quintessential kurta pyjama as they gather together to celebrate Lohri. The set has been a staple of Punjabi men's clothing for centuries. Men’s kurta pyjama sets are usually monotone and seen in colours like red, yellow, orange, green, and blue with subtle embroidery.
Back in the day, Lohri garments were made from cotton and khadi since they reflected rural life's simplicity and practicality and connected one to earth and nature. To give their outfits a more formal and festive look, silk and wool were later used to add luxury and elegance to the occasion.
The jewellery and accessories worn during Lohri add to the vibrant and joyous nature of the festival and find roots deeply embedded in cultural traditions and artisanal history.
Punjabi women are seen wearing their marital chooda. The chooda is a set of red and white bangles which symbolises prosperity, happiness, and marital bliss. It is believed to bring good luck and protection to the women and their families, and it is worn as a mark of celebration. They wear jhumkas, which are large bell-shaped earrings with dangling beads and pearls. They symbolise grace and add a touch of elegance and sophistication to one's look. They wear a maangtikka as a forehead ornament in the parting of their hair.
Synonymous with the celebrations of Lohri, an essential accessory worn by women as they take part in the celebration is the Parandi. It is a traditional hair accessory made of silk threads and decorated with beads and tassels tied at the end of the braid. It adds colour and movement to the hair and is a symbol of beauty and femininity in Punjabi culture.
Men wear a Kara or steel or iron bracelet as a symbol of one of the five articles of faith in Sikhism. It symbolises unity, strength, and an unwavering commitment to righteousness. Another accessory synonymous with Sikh culture and tradition is the Pagri. It is a long piece of cloth wrapped around the head to form a turban and symbolises dignity and honour in Punjabi culture. It is a way for men to express their cultural identity and participate in the celebrations with pride. They also wear a Kaintha, a traditional necklace usually made of gold or silver, symbolising wealth and status.
As communities gather together to celebrate the harvest and the onset of longer days, vibrant cultural decor transforms homes and community spaces into festival environments. The decor is rich in traditional designs, materials, and colours, contributing to Its unique identity and atmosphere.
The centrepiece of Lohri celebrations, rituals and traditions, the bonfire, symbolises warmth and light and is traditionally built using dry twigs, cow dunk cakes and logs of wood all stacked together to form a pyramid. The area around the bonfire is demarcated with bricks and decorated with garlands made of marigold flowers that add colour and fragrance to the surroundings. The bonfire represents Agni, the fire God revered as a purifier and protector. The use of natural materials like wood and cow dunk cakes connects the festival and the region's agricultural roots.
Around the bonfire, women gather together to create a Rangoli using coloured powder, rice, and flower petals in designs of the sun, fire, and sugar cane to bring good luck and prosperity through the harvest season. Families decorate their houses with Torans and Bandhanwars made from marigold flowers, mango leaves, beads, bells, and small mirrors placed over doorways. They are considered pious and are believed to dispel evil spirits and invite good fortune and prosperity into one’s homes and lives.
Another essential element of Lohri decor is a Bajot. They are low wooden platforms that are used to place the offerings during Lohri. They are decorated with colourful cloth, brass utensils, beads, and mirrors, and they are designed with traditional motifs such as flowers, paisley or kairi, and geometric patterns. This is where the food, offerings and other significant items are placed as a symbol of hospitality and nourishment.
Lohri is a festival rich in rituals and customs, traditional and cultural narratives, and spiritual values which connect humans to earth. Today, when cultural homogenisation is one of the growing concerns, a festival like Lohri serves as a crucial reminder of the importance of diversity and the need to preserve the cultural identities of every region.
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